grell sutcliffe. (
erythristic) wrote in
eachdraidh2014-04-24 08:52 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
1 ✦ voice ✦ unseelie
[it isn't that she doesn't trust those Seelie folk. it's only that she doesn't see the point in associating with them for the time being. time will come to meet them, and she has little down it will be with them on the opposite end of her scythe.
in any case, she believes if people can ask after their friends and loved ones, after transport and expeditions, one more question cannot go amiss. she clears her throat, and the voice that comes out is calm yet stressing words in a somewhat theatrical manner.]
The beauty and fierceness that inhabits this land...oh, the words of the poets struggle to match up to what can be seen, to what exists in every breath. Let one be silent in that instance, and all the better for it to merely experience it all. Bringing such an obvious thing to notice is not my purpose in addressing this device and by extension all of you, however.
Since arriving here, much has intrigued me, from the hows and whys behind our new circumstances to our recent encounters with the worms to the overwhelming presence of magic in this world. The latter, really, has been most attractive to me, especially with the newly opened possibility of being able to wield it myself.
Yet I am not so prideful as to think I can achieve such a thing on my own. To that end, I am wondering if someone out there has the time and inclination to take on a pupil in learning the arts of magic. I can promise you I am a faithful and punctual student, and I would be sincerely in your debt.
in any case, she believes if people can ask after their friends and loved ones, after transport and expeditions, one more question cannot go amiss. she clears her throat, and the voice that comes out is calm yet stressing words in a somewhat theatrical manner.]
The beauty and fierceness that inhabits this land...oh, the words of the poets struggle to match up to what can be seen, to what exists in every breath. Let one be silent in that instance, and all the better for it to merely experience it all. Bringing such an obvious thing to notice is not my purpose in addressing this device and by extension all of you, however.
Since arriving here, much has intrigued me, from the hows and whys behind our new circumstances to our recent encounters with the worms to the overwhelming presence of magic in this world. The latter, really, has been most attractive to me, especially with the newly opened possibility of being able to wield it myself.
Yet I am not so prideful as to think I can achieve such a thing on my own. To that end, I am wondering if someone out there has the time and inclination to take on a pupil in learning the arts of magic. I can promise you I am a faithful and punctual student, and I would be sincerely in your debt.
audio;
[ hi grell she's glad you're not on fire ]
no subject
I'll put in a word for you, darling. It'd be selfish to ask for a private tutor when I'm only a novice, anyway.
no subject
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
no subject
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
action > WE'LL DO IT HERE
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
voice;
Kano bragged aboutdanced with Kano.]Looks like a lot of us picked magic huh? Well, it's the most practical thing to fight with in a fairytale world right?
no subject
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Audio
no subject
no subject
So, okay, that's easy enough. The system I'm used to using requires a genetic factor, but having perused the library, I think that magic here doesn't have that component. So then, for me, the question becomes: what kind of magic would suit you best for that need? Which means that we'd need to do some preliminary work to see what you're comfortable with.
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
decided why not just action it up
Works for me!
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
sorry for the delay!
Don't even worry about it, stuff happens!
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
audio
no subject
My dear, you are so woefully mistaken. One of the cardinal virtues for me is having a sense of timing, in work as well as play. And in recent memory, I cannot recall where I have failed to uphold it.
no subject
Regardless, I find it doubtful that your supervisor would aprove of learning other methods, considering how susicious he is of anything non-status quo.
no subject
[and William's never faced being in a faerie war, absent from his original purpose. she's sure even he would understand that circumstances call for new methods.]
(no subject)
(no subject)
(no subject)
(no subject)
voice | i can late tag if i want
no subject
no subject
no subject