Michael Roa Valdamjong (
snakeskin_magus) wrote in
eachdraidh2014-11-05 10:39 am
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I'm in a good mood. So, I think I should share my good mood with everyone! [In one of the ruins by La Llorona, Roa sat with his back to his locket, a number of the twisted trees with human-like faces shifting uneasily in his presence. He carried a lute with him, playing a few notes, interrupting the eerie silence that had otherwise been uncharacteristic of the swamp-lands. Not a toad croaked. Not a mouse squeaked. There was the lute for a moment, before a number of pallid looking spirits rose from the trees, moaning and writhing in front of Roa.]
This is a song from my world--a good one for the moment, I think! Now, before I get complaints about the lyrics-- it's more about the motif than the context...
[The ghosts wailed as Roa raised one hand to interrupt his lute-playing. He curled his fingers and they rolled in pain at his command.]
Like we practiced.
[The ghosts--in bad tune and tempo, all began singing Bob Dylan's 'Knockin' on Heaven's Door'. It was disjointed, lacked timing and none of the spirits understood the keys that had to be taken. Roa didn't mind it, though. He played his lute to set the beat and tempo even if the ghosts failed to accomplish the same. He stopped playing when the song was done, turning to give the locket a lazy sort of smile.]
Terrible, but we've got plenty of time to practice some more.
[The locket cut out.]
This is a song from my world--a good one for the moment, I think! Now, before I get complaints about the lyrics-- it's more about the motif than the context...
[The ghosts wailed as Roa raised one hand to interrupt his lute-playing. He curled his fingers and they rolled in pain at his command.]
Like we practiced.
[The ghosts--in bad tune and tempo, all began singing Bob Dylan's 'Knockin' on Heaven's Door'. It was disjointed, lacked timing and none of the spirits understood the keys that had to be taken. Roa didn't mind it, though. He played his lute to set the beat and tempo even if the ghosts failed to accomplish the same. He stopped playing when the song was done, turning to give the locket a lazy sort of smile.]
Terrible, but we've got plenty of time to practice some more.
[The locket cut out.]

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It's torture!
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Perhaps you should start intermingling yourself in social settings with people who happen to be alive. I can't imagine they're very good conversationalists.
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I've got bad practice at it.
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[ You know what, she has not stopped being so blunt, she won't stop any time soon. ]
That's a bit cowardly, don't you think?
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Yet, I've seen total immortality, before. That unfathomable, alluring and maddeningly, nearly totally impossible to achieve dream...
Well, y'know. I've seen it a few times here as well, after seeing the rulers. I imagine if I get lucky, I might reach their level in some time.
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[ She's not even sure why this irritates her so much, possibly because she's been so close to death so many times. ]
No good comes out of being cowardly. I'm sure not even the monarchs will live that long, not even forever. Those sort of notions are absolutely childish. Nonsense.
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Roa could see sources of 'life'. The rulers? They were bottomless.]
It's tough for someone raised with that concept in mind to diversify their thinking. You just haven't had the right timing, pal.
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How many times have you died?
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But, you're just a kid. You'll only be able to talk to me about these things after you've died at least once.
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[ Which is her way of calling him a coward. ]
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Wear arrogance on your face all you want. Youth will make idiots of us all. When you're in your worst place, then you'll know my fear isn't hollow.
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I'll put it to good use.
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If you've only skirted death, then you only know a fraction of it.
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Now, will you change your mind, or am I just going to hear a repeat of that grade-school retort?
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