[she passes him a few pages. while they're covered in lines that have been scratched out or with further notes under them questioning, the basic idea rings through true - the sentences for the runes should integrate with each other and harmonise in the design, and another page has haphazard drawings on it. her lines are veering more to something organic rather than the blocky outline it began with, twining around each other to flow at the same time but apart, fitting more to the curves of the body than blocking someone in.]
It loops back around to energy, it always does, and it always requires initial activation. But where to put it was the question - until I saw the panel on your wrist. And then everything became clear! I need to place it on the wrist for the gloves, so that it's close to the pulse - it would give the strongest initial activation, and set off the chain to begin the armor in full. Once there it should run on its own cycle until deactivated by choice or force. For the full set I can do something similar by placing it above the heart, linking it to catalysts so I don't have to put multiples in the framework.
-Ah, it'd be easy to show you. What can I do to make this paint?
no subject
It loops back around to energy, it always does, and it always requires initial activation. But where to put it was the question - until I saw the panel on your wrist. And then everything became clear! I need to place it on the wrist for the gloves, so that it's close to the pulse - it would give the strongest initial activation, and set off the chain to begin the armor in full. Once there it should run on its own cycle until deactivated by choice or force. For the full set I can do something similar by placing it above the heart, linking it to catalysts so I don't have to put multiples in the framework.
-Ah, it'd be easy to show you. What can I do to make this paint?